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No Dogs, No Indians

Siddhartha Bose

"An ambitious ... examination of the deep scars of the British Empire"

The Stage

Three intertwining stories explore the effects and legacy of the British in India.

It is 1932 in occupied Bengal. A young revolutionary prepares to storm a whites-only club in Chittagong, an act of defiance that will end in her taking her own life. The sign above the club reads No Dogs, No Indians.

Decades later, an aspiring intellectual born in post-independence Kolkata is in love with all things British: Shakespeare, cricket, The Beatles. But as he contemplates the past and imagines his children’s future, he begins to question his own identity.

Now in 2017, a man returns from London on the news of his father’s death. In the New India, he encounters steel magnates, supermodels and tech millionaires, but is haunted by ghosts from the past.

Three intertwining stories explore the effects and legacy of the British in India in a powerful new play by poet and playwright Siddhartha Bose to mark the 70th anniversary of Indian independence.

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Our price £ OUT OF STOCK
RRP £9.99
Please note: due to the recent change in tax regulations, we are currently unable to ship to EU countries.
140 pages
ISBN 9781908058485
Published 1 May 2017
Cover design: Penned in the Margins


An important play that addresses real issues [...] There is a real subtlety in the writing, with no attempt to make this a flag-waving piece for any particular cause [...] The sparse set and excellent direction from Russell Bender perfectly convey the differing time periods and proves that lavish stages are an irrelevance in modern theatre. Archana Ramaswamy, Omar Khan and Ashraf Ejjbair handle multiple roles with ease, and Komal Amin is an inspirational figure as Rani - *****
Once Upon a Tyne

This beautiful work by poet Siddhartha Bose [...] The excellent acting makes this into an arresting and exciting show [...] the four actors deliver a performance that will keep you on the edge of your seat. Whether this show is your first introduction to Indian history, heritage and culture, or you’re already familiar with it, No Dogs, No Indians will surprise and satisfy you
Everything Theatre

Siddhartha Bose’s state of the nation epic [...] Performances shine in this dark play
Eastern Daily Express

Highly engaging [...] if you if you have the chance to catch this play, you should
Live Theatre Blog

An ambitious if sprawling examination of the deep scars of the British Empire, both personal and political [...] in a country used to a sanitised, flag-waving version of its history, where the British Empire is fetishised and its victims erased, the piece should be lauded for its ambition
The Stage

Entertaining and enjoyable
British Theatre Guide

No Dogs, No Indians is without a doubt one of the most amazing performances out there, trumping most movies in dialogue, character and plot. I cannot recommend it enough
Ravenclaw Book Club

Bose is not a historian and does not pretend to be one, but the evening made for more interesting and innovative public history than that of efforts elsewhere [...] I can only hope that the kinds of history that Bose attempted to introduce to a public audience in Edinburgh marks the beginning of greater awareness of social, cultural and emotional histories in Britain of the Imperial past and its continued present.
The Conversation

Audience feedback

Plenty of ambition in this sweeping history of modern India – definitely a Brighton Festival highlight for me

One of the best plays I've seen in a long time! No Dogs, No Indians packs some punches, amazing stories, exquisite writing, incredible actors

Fabulous performance at Live Theatre. Still thinking about it!

Effervescent performances and an absorbing story

Thank you to all for telling a complex story so honestly and sensitively. Congratulations!

Well acted and powerful

Touching and fascinating and beautifully acted

About the author

Siddhartha Bose’s books include two poetry collections, Kalagora and Digital Monsoon (Penned in the Margins, 2010 & 2013), and a monograph on the grotesque, Back and Forth (Cambridge Scholars Publishing, 2015). He has been featured on BBC Four, BBC Radio 3 and BBC Asian Network, and was dubbed one of the ‘ten rising stars of British poetry’ by The Times. Sid’s theatre work include Kalagora, London’s Perverted Children, long-listed for an Oxford Samuel Beckett Theatre Trust award, and The Shroud. He has made a film on Mumbai, Animal City, and guest-edited a special issue of the literary journal Wasafiri (Routledge, UK/USA) on international urban writing. Siddhartha was a Leverhulme Fellow in Drama at Queen Mary, University of London (2011-13). He is an Associate Artist at Penned in the Margins, and currently teaches at Global Shakespeare (QMUL/Warwick). He lives in London.

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