Like its forerunners, it is told in raw, rollicking first-person poetry. And like its forerunners, it is great – a hurtling, headlong hour of storytelling stuffed full of savage satire and astute observations, with the energy of Wright’s delivery surging from the screen. We are so busy tearing everything down, he argues, that we never actually build anything anymore.
★★★★ Fergus Morgan, The Stage

Wright’s performance is human, vulnerable, eminently honest and very, very eloquent. There is some sensational writing in this show. [...] Its rhythm is mesmerising, too, and Wright paces his storytelling like a trainride, quickening to exhilaration, slowing to pathos, and always keeping us with him.
Arifa Akbar, The Guardian