{"id":11070,"date":"2016-03-10T12:44:21","date_gmt":"2016-03-10T12:44:21","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=11070"},"modified":"2017-12-02T23:25:58","modified_gmt":"2017-12-02T23:25:58","slug":"claire_trevien_maps_the_edges","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2016\/03\/claire_trevien_maps_the_edges\/","title":{"rendered":"Claire Tr\u00e9vien maps the edges where landscape, memory and digital interweave"},"content":{"rendered":"<blockquote><p>Ast\u00e9ronyme, n. (French). A sequence of asterisks used to hide a name of password.<\/p><\/blockquote>\n<p>With her debut collection longlisted for the Guardian First Book Award and a national theatre tour under her belt before the age of 30, Claire Tr\u00e9vien is undoubtedly one of the rising stars of British poetry.<\/p>\n<blockquote><p>Playful, beautifully curious and linguistically adventurous<\/p>\n<p class=\"sm\">Ruth Padel<\/p>\n<\/blockquote>\n<p>In this follow-up to <em>The Shipwrecked House<\/em> (2013), the Anglo-Breton Tr\u00e9vien takes us to a place where ancient and modern worlds collide in a collection that marks her out as one of the most formally inventive young poets writing today.<\/p>\n<p><img class=\"aligncenter\" src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/cover-images\/asteronymes.jpg\" alt=\"\" height=\"325\" \/>\u00a0\u00a0\u00a0<img src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/author-photos\/trevien.jpg\" alt=\"\" height=\"325\" \/><\/p>\n<p><a href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2016\/02\/asteronymes\/\">Ast\u00e9ronymes<\/a> is a book of elegies for places and people that have been ruined by time, erosion or neglect. Weather-beaten stone circles are carved with the language of the internet; the poet indexes and archives our daily lives and becomes curator of the uncanny Museums of Shared Meals, Author Corrections and Waiting.<\/p>\n<blockquote><p>Steep a stone into rain, or a bucket of sand.<br \/>\nFresh-gathered stones should be bruised by<br \/>\nstamping barks into their skin. Understand<br \/>\nthat, properly dried, they may last indefinitely.<\/p><\/blockquote>\n<p>Concerned with where landscape, memory and digital interweave, Tr\u00e9vien performs track changes on cliffs and fashions guidelines for making a standing stone.<\/p>\n<p>The book&#8217;s stunning central sequence recounts a journey across the Scottish island of Arran, investigating myth, history and our relationship with nature and isolation. <a href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2016\/02\/asteronymes\/\">Ast\u00e9ronymes<\/a> is an intricately composed collection that invents new poetic forms with boundless energy.<\/p>\n<p><a href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2016\/02\/asteronymes\/\">ORDER YOUR COPY OF ASTERONYMES<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ast\u00e9ronyme, n. (French). A sequence of asterisks used to hide a name of password. With her debut collection longlisted for the Guardian First Book Award and a national theatre tour under her belt before the age of 30, Claire Tr\u00e9vien is undoubtedly one of the rising stars of British poetry. Playful, beautifully curious and linguistically [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[133,3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/11070"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=11070"}],"version-history":[{"count":14,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/11070\/revisions"}],"predecessor-version":[{"id":11096,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/11070\/revisions\/11096"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=11070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=11070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=11070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}