{"id":11690,"date":"2016-05-24T13:58:06","date_gmt":"2016-05-24T13:58:06","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=11690"},"modified":"2018-05-15T17:36:14","modified_gmt":"2018-05-15T17:36:14","slug":"applied-translation-of-the-self-as-the-self-translates-its-self-on-its-own-accord-antosh-wojcik-explores-the-language-of-dementia","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2016\/05\/applied-translation-of-the-self-as-the-self-translates-its-self-on-its-own-accord-antosh-wojcik-explores-the-language-of-dementia\/","title":{"rendered":"&#8220;Applied translation of the self as the self translates its self on its own accord&#8221; &#8211; Antosh Wojcik explores the language of Dementia"},"content":{"rendered":"<h2>When you lose someone, there are continual moments when you are huddled in their left behinds; their clothes, their furniture, their lovers. It\u2019s weird seeing Granddad without Nanny. It\u2019s weird seeing Babcia, Polish for grandma, without Dziadek, Polish for grandad. I guess you never really see someone without the other someone. You always saw them together, they are the way they are now having been shaped by an expanse of time of being physically next to each other, being in love with each other, being angry, confused, sad with one another.<\/h2>\n<p>When they\u2019re cremated and put in jars with their names etched on a plaque, then placed in a garden full of plaques, you\u2019ve still got somewhere to visit and know they are physically always here, just altered. I get worried about who they were, that the person vanished, especially when both my Nanny and Dziadek had dementia, how that cultivated a shifting state of vanishing and resurfacing before they were gone. It becomes so easy to remember them as the last couple of months of their lives, their thinning, balding bodies, confused and frustrated at being locked inside themselves. The condition is more invisible than I thought. You can\u2019t track when someone will remember everything, yet forget that they\u2019ve said the same sentence twenty three times over the past fifteen minutes. There are no default dementias, they all affect the individual in an individual way. You think it\u2019s all about memory too and it isn\u2019t. It\u2019s a physical disconnection from speech and body functions, from being able to access everything still whirling around in your head. No one really vanishes, they just become translated different, much like we all do when we\u2019re depressed or on drugs or euphorically happy or fucking.<\/p>\n<p>Grandad, Mum\u2019s Dad, calls me and asks if he should go visit Dziadek, Dad\u2019s Dad, as he\u2019s in hospital, dementia slowing his functions to a point of being bed bound. His muscles still work, he can touch his toes, but he keeps falling over and can\u2019t recall that he needs to eat. Grandad is unsure if he wants to see Dad\u2019s Dad like this, saying he\u2019d rather preserve the memories he\u2019s got. And I remember when his wife died, Mum\u2019s Mum, how Mum didn\u2019t let us through the glass sliding door into the lounge to say goodbye to an already quieted body, resting after all of its internal renovations from this condition, how that was an attempt to preserve all I shared with her Mum before she became this way.<\/p>\n<p>In <em><a href=\"http:\/\/www.roundhouse.org.uk\/whats-on\/2016\/the-last-word-festival-2016\/building-a-voice-percussion-gun-to-kill-glitches-in-memory\/\">Building A Voice-Percussion Gun To Kill The Glitches In Memory<\/a><\/em>, I am glitch-drumming beneath my performance of several narratives that explore my times with my grandparents at the times of their life with dementia. My practice in writing is to solidify and understand things that happen in my life. My practice in performing is to translate this to other people, in order to gain further understanding of what I write and give others space to question their own understandings. When I drum, I translate language into rhythms, communicate physically. Drumming allows me to remember vast parts of my life and people I\u2019ve interacted with too. When combining drumming with my performance of poetry, it becomes an applied dementia, the two translations colliding and altering how they appear externally. My fluency, clarity and diction are all altered. Talking whilst drumming makes me drop rhythm and break what drummers should be good at; timekeeping. Drumming and poetry is the repetition of agreed terms, dementia the repetition of uncontrolled terms.<\/p>\n<p>I understand that I maintain control of when this affects me, when someone with dementia in all its forms can\u2019t choose to turn on and off its affects. I feel this is my closest translation of my relationships with those I love who were affected by dementia. This is my way of preserving their memory and building a voice-percussion gun that questions our understanding of loss through these conditions. In building a narrative that mirrors a condition we all have the possibility of developing, I\u2019m attempting to make this something beautiful and human, because it\u2019s so easy to keep it invisible, allow it to be an acceptance that the person affected is already gone, when they\u2019re not. They\u2019re just being translated another way.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/264973929&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"450\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4><a href=\"https:\/\/antoshwojciksyllablesyndrome.wordpress.com\/\">Antosh Wojcik<\/a> performs &#8216;Building a Voice-Percussion Gun to Kill the Glitches in Memory&#8217; on Saturday 28 May @ Roundhouse, London.\u00a0<a style=\"font-size: 1em; font-weight: normal;\" href=\"http:\/\/www.roundhouse.org.uk\/whats-on\/2016\/the-last-word-festival-2016\/building-a-voice-percussion-gun-to-kill-glitches-in-memory\/\">Visit the Roundhouse for tickets and more info.<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>When you lose someone, there are continual moments when you are huddled in their left behinds; their clothes, their furniture, their lovers. It\u2019s weird seeing Granddad without Nanny. It\u2019s weird seeing Babcia, Polish for grandma, without Dziadek, Polish for grandad. I guess you never really see someone without the other someone. You always saw them [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[255],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/11690"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=11690"}],"version-history":[{"count":10,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/11690\/revisions"}],"predecessor-version":[{"id":11712,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/11690\/revisions\/11712"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=11690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=11690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=11690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}