{"id":16007,"date":"2017-12-02T17:21:49","date_gmt":"2017-12-02T17:21:49","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=16007"},"modified":"2017-12-02T17:21:49","modified_gmt":"2017-12-02T17:21:49","slug":"martin-kratz","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2017\/12\/martin-kratz\/","title":{"rendered":"Martin Kratz"},"content":{"rendered":"<p>Martin Kratz (co-editor) is an associate lecturer in English at Manchester Metropolitan University. His poetry has been widely published in magazines including The Rialto, Magma, The Interpreter\u2019s House and The Moth. As a librettist, he collaborates regularly with the composer Leo Geyer, and their projects include the prizewinning song cycle <em>Sideshows<\/em>. Their chamber opera <em>The Mermaid of Zennor<\/em> was described by The Times as \u2018imaginative and beautifully shaped.\u2019<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martin Kratz (co-editor) is an associate lecturer in English at Manchester Metropolitan University. His poetry has been widely published in magazines including The Rialto, Magma, The Interpreter\u2019s House and The Moth. As a librettist, he collaborates regularly with the composer Leo Geyer, and their projects include the prizewinning song cycle Sideshows. Their chamber opera The [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,157],"tags":[],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/16007"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=16007"}],"version-history":[{"count":1,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/16007\/revisions"}],"predecessor-version":[{"id":16009,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/16007\/revisions\/16009"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=16007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=16007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=16007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}