{"id":16665,"date":"2018-03-06T11:16:25","date_gmt":"2018-03-06T11:16:25","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=16665"},"modified":"2018-03-06T15:30:09","modified_gmt":"2018-03-06T15:30:09","slug":"announcing-our-2018-publishing-list","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2018\/03\/announcing-our-2018-publishing-list\/","title":{"rendered":"Announcing our 2018 Publishing List"},"content":{"rendered":"<hr \/>\n<p><strong>JANUARY<\/strong><\/p>\n<p><strong><em>Frankie Vah &#8211; <\/em>Luke Wright\u00a0<\/strong><\/p>\n<div style=\"text-align: left;\"><a href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2017\/12\/frankie-vah\/\"><img style=\"border: 0px;\" src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/blog\/frankievah_hires.jpg\" alt=\"\" width=\"100%\" \/><\/a><\/div>\n<p>&nbsp;<\/p>\n<p>One of the UK&#8217;s best known performance poets, <a title=\"Luke Wright\" href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2017\/11\/luke-wright\/\">Luke Wright<\/a> follows up his award-winning 2015 verse-play <em><a title=\"What I Learned from Johnny Bevan\" href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2016\/01\/what-i-learned-from-johnny-bevan\/\">What I Learned from Johnny Bevan<\/a><\/em>\u00a0with this prequel &#8211;\u00a0<em><a title=\"Frankie Vah\" href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2017\/12\/frankie-vah\/\">Frankie Vah<\/a> <\/em>&#8211; plunging us into the 1980s and going on the road with a ranting poet with dreams of derailing Thatcher&#8217;s campaign with his visceral verse.<\/p>\n<p><a title=\"Frankie Vah\" href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2017\/12\/frankie-vah\/\">ORDER YOUR COPY TODAY<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>FEBRUARY<\/strong><\/p>\n<p><em><strong>Natural Phenomena &#8211; <\/strong><\/em><strong>Meryl Pugh<\/strong><\/p>\n<p><img src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/blog\/naturalphenomena_hires.jpg\" alt=\"\" width=\"100%\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>The long-awaited debut poetry collection from <a title=\"Meryl Pugh\" href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2018\/01\/meryl-pugh\/\">Meryl Pugh<\/a>. <em>Natural Phenomena <\/em>has already been chosen as the Poetry Book Society&#8217;s Guest Selection for Spring 2018 by Kayo Chingonyi, and takes us through the urban wilds of London to search for unexpected beauty in a landscape of plastic, wire and glass. Expect precise lyrics, haunting elegies and &#8216;beguiling musicality&#8217;.<\/p>\n<p><a href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2018\/01\/natural-phenomena\/\">ORDER YOUR COPY<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>APRIL\u00a0<\/strong><\/p>\n<p><strong><em>An Ocean of Static &#8211; <\/em>J.R. Carpenter<\/strong><\/p>\n<p><img src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/authors\/jrcarpenter_square.jpg\" alt=\"\" width=\"100%\" \/><\/p>\n<p>The debut poetry collection from award-winning digital writer J.R. Carpenter. <em>An Ocean of Static <\/em>charts a path between the UK and the author&#8217;s homeland of Canada, filtered through the fragmented histories of the Northwest Passage. A formally inventive and politically charged book, Carpenter presents an ever-shifting array of variables, melting sea ice and changing currents, all told in a bold compilation of digital, maritime and cartographic language.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MAY<\/strong><\/p>\n<p><strong><em>Twenty Theatres to See Before You Die &#8211; <\/em>Amber Massie-Blomfield<\/strong><\/p>\n<p><img src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/blog\/Amber_Lydia_Stamps.jpg\" alt=\"\" width=\"100%\" \/><\/p>\n<p>A love letter to British theatre, Amber-Massie Blomfield explores twenty of the strangest, most talked-about and influential theatre spaces across the UK. From ruined playhouse to proscenium arch, from an amphitheatre hewn from the rock to a converted public toilet. Much more than your average list-book, the journey Amber embarks on becomes a compelling personal meditation on the power of theatre to thrive in unlikely circumstances, and a celebration of the &#8216;electrifying power of people getting together in real time, in a real place, to tell stories about what it means to be human.&#8217;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>JUNE<\/strong><\/p>\n<p><strong><em>The Girl Who Forgets How to Walk <\/em>&#8211; Kate Davis<\/strong><\/p>\n<p><img src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/authors\/katedavis_splash.jpg\" alt=\"\" width=\"100%\" \/><\/p>\n<p>Kate Davis&#8217; debut poetry collection follows a remarkable narrative of disability, rehabilitation and connection with the land. Inspiring, funny and deeply personal, <em>The Girl Who Forgets How to Walk <\/em>creates its own magical and idiosyncratic map with which to navigate the wild coast and mountains of west Cumbria, an unstable landscape shifting underfoot.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OCTOBER<\/strong><\/p>\n<p><em><strong>The Perseverance\u00a0<\/strong><\/em><strong>&#8211; Raymond Antrobus<\/strong><\/p>\n<p><img src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/blog\/raymond-antrobus-blog.jpg\" alt=\"\" width=\"100%\" \/><\/p>\n<p>The eagerly-anticipated first full poetry collection from Raymond Antrobus, <i>The Perseverance<\/i> is a book of in-betweens &#8211; a stunning collection that explores dual heritage, loss and the contemporary and historical d\/Deaf experience from one of the UK&#8217;s most important new voices.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OCTOBER<\/strong><\/p>\n<p><strong><em>Low Country: Brexit on the Essex Coast\u00a0<\/em>&#8211; Tom Bolton<\/strong><\/p>\n<p><img src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/blog\/essex-coast-bolton.jpg\" alt=\"\" width=\"100%\" \/><\/p>\n<p>In 2016, acclaimed London place-writer Tom Bolton (<i>London&#8217;s Lost Rivers<\/i>) walked the Essex coast during the fiercely fought EU Referendum campaign. Exploring the particular geographies of the longest coastline in Britain through personal essay and photography, <i>Low Country<\/i> maps the natural and social environments of England&#8217;s eastern edgelands at a time of political uncertainty.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>NOVEMBER<\/strong><\/p>\n<p><strong><em>The Triumph of Cancer<\/em> &#8211; Chris McCabe<\/strong><\/p>\n<p><img src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/blog\/chris-mccabe-blog.jpg\" alt=\"\" width=\"100%\" \/><\/p>\n<p>Having published <i><a href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2017\/08\/cenotaph-south-paperback\/\">Cenotaph South<\/a><\/i> in 2016 &#8211; the second in his Magnificent Seven non-fiction series &#8211; we are delighted to welcome another Chris McCabe poetry book to Penned in the Margins. McCabe&#8217;s first collection since the critically-acclaimed <i><a href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2014\/10\/speculatrix\/\">Speculatrix<\/a>\u00a0<\/i>(2014),\u00a0<em>The Triumph of Cancer\u00a0<\/em>is a brave, unexpected book of lyric poems that morph and grow on every reading.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>NOVEMBER<\/strong><\/p>\n<p><strong><em>Alyson Sings &#8211; <\/em>Caroline Bergvall<\/strong><\/p>\n<p><img src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/blog\/carolinebergvall-blog.jpg\" alt=\"\" width=\"100%\" \/><\/p>\n<p><em class=\"\">Alyson Sings<\/em><span class=\"\">\u00a0is poet and artist Caroline Bergvall&#8217;s first UK poetry publication for over a decade and her first printed work since winning a Cholmondeley Award for her overall poetic output last year. Profoundly hybrid, feistily feminist and instinctively internationalist,\u00a0<\/span><em class=\"\">Alyson Sings<\/em><span class=\"\">\u00a0<\/span><span class=\"\">reimagines Chaucer&#8217;s Wife of Bath through the precarious languages of the fourteenth and twenty-first centuries, going into the past to look into our future.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After a quieter 2017 for book publishing following large-scale productions, we are delighted to announce a bumper year for new Penned in the Margins titles. The list of nine books runs across poetry, non-fiction and drama, featuring six debuts including a first full collection from rising-star Raymond Antrobus, psychogeographic encounters with Brexit on the Essex coast, and a long-awaited new UK publication from Caroline Bergvall. <\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[239,247,25,251,241,129,237,3,243,245],"tags":[],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/16665"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=16665"}],"version-history":[{"count":25,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/16665\/revisions"}],"predecessor-version":[{"id":17180,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/16665\/revisions\/17180"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=16665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=16665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=16665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}