{"id":18519,"date":"2019-04-14T20:49:19","date_gmt":"2019-04-14T20:49:19","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=18519"},"modified":"2019-04-16T23:13:03","modified_gmt":"2019-04-16T23:13:03","slug":"antosh-wojcik-announces-national-tour-for-how-to-keep-time-his-acclaimed-drum-solo-for-dementia","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2019\/04\/antosh-wojcik-announces-national-tour-for-how-to-keep-time-his-acclaimed-drum-solo-for-dementia\/","title":{"rendered":"Antosh Wojcik announces national tour for How to Keep Time &#8211; his acclaimed &#8216;drum solo for dementia&#8217;"},"content":{"rendered":"<p>Performed by Antosh Wojcik | Directed by Yael Shavit<\/p>\n<p>UK Tour: 27th April \u2013 19th October<\/p>\n<p>PRESS NIGHT: Thursday 23rd May 7.30pm, Rich Mix<\/p>\n<p>\u201cOriginal, tender, funny and moving\u201d \u2605\u2605\u2605\u2605\u2605 BritishTheatre.com<\/p>\n<p>@antoshwojcik \u200f | #HowToKeepTime<\/p>\n<p>&nbsp;<\/p>\n<p>Following in the footsteps of a successful Edinburgh Festival Fringe 2018 run, Antosh Wojcik\u2019s mesmeric display of live drumming and spoken word returns for a UK tour. As poems becomes beats, and beats become glitches in time, Antosh\u2019s debut stage show, <em>How to Keep Time<\/em>, tells the moving story of his Polish grandfather\u2019s struggle against vascular dementia and the effect it had on the people around them. Using just his voice and a Roland TD-4KP electric drumkit, Antosh attempts to humanise memory loss through assigning rhythms to family members.<\/p>\n<p>&nbsp;<\/p>\n<p>Antosh Wojcik said, \u201cI want to de-stigmatise dementia and give it a human voice. By combining spoken word with music, I want to unlock some critical questions about memory and language. What happens when memories disappear? Where do they go and can we get them back? Can I use my drums to communicate with my grandfather?\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>This dynamic solo show was a breakout hit of Edinburgh Fringe 2018 at Summerhall, attracting one five-star and three four-star reviews and a huge number of social media posts. Audiences described <em>How to Keep Time<\/em> variously as \u201cIndescribably brilliant\u201d, \u201cDeeply powerful\u201d, \u201cA suggestive, expansive gift of a show\u201d, \u201cMoving, insightful &#038; original\u201d, \u201cAn unbelievably powerful &#038; beautiful hour\u201d and \u201cTotally unique and powerful \u2026 will lodge itself permanently in a corner of your brain\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p><img class=\"alignnone size-medium\" src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/images\/blog\/antosh_production1.jpg\" width=\"100%\" \/><\/p>\n<p style=\"font-size:60%; text-align: right;\">Photograph: Madeleine Rose<\/p>\n<p>&nbsp;<\/p>\n<p><em>How to Keep Time<\/em> is produced by award-winning live literature company Penned in the Margins (<em>Twenty Theatres to See Before You Die<\/em>, <em>Fair Field<\/em>). Early versions were presented at Shoreditch Town Hall, Camden People\u2019s Theatre, Iklectik, Roundhouse, Verve Poetry Festival and Southampton&#8217;s Nuffield Theatre. Antosh Wojcik is a poet, performer, writer, facilitator. He is a Resident Artist at The Roundhouse and is a member of London-based poetry collectives, Kid Glove and Burn After Reading. Antosh was joint champion of the Roundhouse Poetry Slam 2013 and has performed at many events around the UK, including TEDx East End 2015 and festivals such as Glastonbury, Latitude and Bestival, as well as internationally at Sofia Poetics 2015. He was part of The Last Poets&#8217; Speak Up Newcomer Tour 2015, in which he was commissioned with three other poets to write and perform a collaborative piece responding to &#8216;This Is Madness.&#8217; He leads writing workshops in schools and other contexts for all ages.<\/p>\n<p>&nbsp;<\/p>\n<p>Yael Shavit is a director and dramaturg and develops stories and live performances with writers, actors and community groups. Recent projects include A Dangerous Woman by Manjeet Mann (Soho Theatre), Until You Hear That Bell by Sean Mahoney (BAC\/ Unicorn\/ Summerhall) How To Die Of A Broken Heart by Femi Martin (Talawa), Begin Again (Unicorn intergenerational project) and Dark Corners by Polarbear (BAC\/Birmingham Rep). Yael is currently collaborating with artist Olivia Plender on a film project for the ICA and working with Polarbear to develop a new play for young people with the Unicorn Theatre\/ BAC. Yael worked as script consultant on Roughhouse by Jonathan Hodgson which won the short animation BAFTA in 2019 and continues to read for Film London. She teaches acting and writing for stage and screen at Central School of Speech and Drama and is a recipient of the Jerwood Directors Award.<\/p>\n<p>&nbsp;<\/p>\n<h1>Tour dates<\/h1>\n<p>&nbsp;<\/p>\n<p><strong>27 April Nonsuch Studios, Nottingham<\/strong><br \/>\n97 Lower Parliament Street, Nottingham, NG1 1EH<br \/>\n5.30pm | \u00a39<br \/>\n<a href=\"https:\/\/wearenonsuch.com\/portfolio\/how-to-keep-time\/\">Book now<\/a> | 0115 837 1950<\/p>\n<p>&nbsp;<\/p>\n<p><strong>15 May The Woodville, Gravesend<\/strong><br \/>\nWoodville Place, Gravesend, Kent, DA12 1DD<br \/>\n8pm | \u00a313.50 &#8211; \u00a311.50<br \/>\n<a href=\"https:\/\/woodville.seatlive.com\/how-to-keep-time\/\">Book now<\/a> | 08442 439 480<\/p>\n<p>&nbsp;<\/p>\n<p><strong>22 May Norwich Arts Centre<\/strong><br \/>\nSt Benedict\u2019s Street, Norwich, NR2 4PG<br \/>\n<a href=\"https:\/\/norwichartscentre.co.uk\/events\/keep-time-antosh-wojcik\/?spektrix_bounce=true\">Book now<\/a> | 01603 660352<\/p>\n<p>&nbsp;<\/p>\n<p><strong>23 &amp; 24 May Rich Mix, London<\/strong><br \/>\n35 \u2013 47 Bethnal Green Road, London, E1 6LA<br \/>\n7.30pm | \u00a310<br \/>\n<a href=\"https:\/\/richmix.org.uk\/events\/how-to-keep-time-a-drum-solo-for-dementia\">Book now<\/a> | 020 7613 7498<\/p>\n<p>&nbsp;<\/p>\n<p><strong>5 June Lawrence Batley Theatre, Huddersfield<\/strong><br \/>\nQueen\u2019s Square, Queen Street, Huddersfield, HD1 2SP<br \/>\n7.45pm | \u00a312 &#8211; \u00a38<br \/>\n<a href=\"https:\/\/www.thelbt.org\/shows\/how-to-keep-time-a-drum-solo-for-dementia\">Book now<\/a> | 01484 430 528<\/p>\n<p>&nbsp;<\/p>\n<p><strong>27 July Port Eliot Festival, Cornwall<\/strong><br \/>\nSt Germans, Saltash, PL12 5ND<br \/>\nporteliotfestival.com<\/p>\n<p>&nbsp;<\/p>\n<p><strong>21 Sept Gulbenkian, Canterbury<\/strong><br \/>\nUniversity of Kent, Canterbury, Kent, CT2 7NB<br \/>\nthegulbenkian.co.uk | 01227 769075<\/p>\n<p>&nbsp;<\/p>\n<p><strong>22 Sept The Albany, London<\/strong><br \/>\nDouglas Way, London, SE8 4AG<br \/>\nwww.thealbany.org.uk | 020 8692 4446<\/p>\n<p>&nbsp;<\/p>\n<p><strong>4 Oct The Place, Bedford<\/strong><br \/>\nBradgate Road, Bedford, MK40 3DE<br \/>\nwww.theplacebedford.org.uk | 01234 354 321<\/p>\n<p>&nbsp;<\/p>\n<p><strong>16 Oct Theatre Deli, Sheffield<\/strong><br \/>\n202 Eyre Street, Sheffield, S1 4QZ<br \/>\nwww.theatredeli.co.uk<\/p>\n<p>&nbsp;<\/p>\n<p><strong>18 Oct Theatre Shop, Clevedon<\/strong><br \/>\nUnit 5 Queens Square, Clevedon, Bs21 6HX<br \/>\nwww.theatreshop.org.uk<\/p>\n<p>&nbsp;<\/p>\n<p><strong>19 Oct Phoenix, Exeter<\/strong><br \/>\nBradninch Place, Gandy Street, Exeter, EX4 3LS<br \/>\nwww.exeterphoenix.org.uk | 01392 667 080<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Penned in the Margins presents: How To Keep Time<\/p>\n<p>A drum solo for dementia; exploring the effects of dementia on speech, memory and family through spoken word and an electronic drumkit<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/18519"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=18519"}],"version-history":[{"count":18,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/18519\/revisions"}],"predecessor-version":[{"id":18555,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/18519\/revisions\/18555"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=18519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=18519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=18519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}