{"id":19229,"date":"2020-03-26T09:47:58","date_gmt":"2020-03-26T09:47:58","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=19229"},"modified":"2020-03-26T09:47:58","modified_gmt":"2020-03-26T09:47:58","slug":"abi-palmer","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2020\/03\/abi-palmer\/","title":{"rendered":"Abi Palmer"},"content":{"rendered":"<p>Abi Palmer is a mixed-media artist and writer. Her work often includes themes of disability, gender and multisensory interaction. Her artworks include: <em>Crip Casino<\/em>, an interactive gambling arcade parodying the wellness industry and institutionalised spaces, displayed at the Tate Modern and Somerset House; and <em>Alchemy<\/em>, a multisensory poetry game, which won a Saboteur Award in 2016. She has written for BBC Radio, <em>The Guardian<\/em> and <em>Poetry London<\/em>. <em>Sanatorium<\/em> is her first book.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Abi Palmer is a mixed-media artist and writer. Her work often includes themes of disability, gender and multisensory interaction. Her artworks include: Crip Casino, an interactive gambling arcade parodying the wellness industry and institutionalised spaces, displayed at the Tate Modern and Somerset House; and Alchemy, a multisensory poetry game, which won a Saboteur Award in [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[295,5],"tags":[],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/19229"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=19229"}],"version-history":[{"count":1,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/19229\/revisions"}],"predecessor-version":[{"id":19231,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/19229\/revisions\/19231"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=19229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=19229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=19229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}