{"id":2000,"date":"2012-02-27T18:29:56","date_gmt":"2012-02-27T18:29:56","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=2000"},"modified":"2012-02-27T18:41:04","modified_gmt":"2012-02-27T18:41:04","slug":"austerities-listen-back-to-sam-riviere","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2012\/02\/austerities-listen-back-to-sam-riviere\/","title":{"rendered":"Austerities: Listen back to Sam Riviere"},"content":{"rendered":"<div style=\"margin-left: 15px; margin-right: 15px;\">\n<p>&#8220;Sam Riviere is trying to find a way of being authentic about this inauthenticity. At Toynbee Studios,   he recites a poem that reads like a shipping forecast of literary criticism. Comprised of a tutor\u2019s one line comment on each poem \u2013 <em>good, okay, we\u2019ve heard this idea before, nice rhythm\u00a0<\/em>&#8211; it reveals the work lurking behind the myth of inspiration. Poetry is shown as calculated word-smithery; like everything else, poems are made to create a certain response.&#8221;<\/p>\n<p>????? Exeunt Magazine (<a href=\"http:\/\/exeuntmagazine.com\/reviews\/penned-in-the-margins-presents-81-austerities\/\">Read full review<\/a>)<\/p>\n<p><span style=\"color: #ffffff;\"> _<\/span><\/p>\n<\/div>\n<h2>Listen back<\/h2>\n<p>Listen back to <a href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2011\/12\/austerities\/\">Austerities<\/a>, recorded at Toynbee Studios, London on 23 February 2012. Sam Riviere reads from <em>81 Austerities<\/em> (1) and is conversation with SJ Fowler and Tom Chivers (2).<\/p>\n<p>Please excuse the variable sound quality.<\/p>\n<p><iframe src=\"http:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F38014225&amp;show_artwork=false\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"166\"><\/iframe><\/p>\n<p><iframe src=\"http:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F38015333&amp;show_artwork=false\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"166\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Sam Riviere is trying to find a way of being authentic about this inauthenticity. At Toynbee Studios, he recites a poem that reads like a shipping forecast of literary criticism. Comprised of a tutor\u2019s one line comment on each poem \u2013 good, okay, we\u2019ve heard this idea before, nice rhythm\u00a0&#8211; it reveals the work lurking [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2000"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=2000"}],"version-history":[{"count":7,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2000\/revisions"}],"predecessor-version":[{"id":2002,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2000\/revisions\/2002"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=2000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=2000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=2000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}