{"id":20163,"date":"2021-05-31T23:11:33","date_gmt":"2021-05-31T23:11:33","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=20163"},"modified":"2021-05-31T23:11:34","modified_gmt":"2021-05-31T23:11:34","slug":"richard-skelton","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2021\/05\/richard-skelton\/","title":{"rendered":"Richard Skelton"},"content":{"rendered":"\n<p>Richard Skelton is a British artist. His work focuses on landscape and other-than-human studies. Between 2005 and 2011 he ran Sustain-Release, a private press music label dedicated to publishing his own landscape-oriented recordings. Since 2009 he has been co-director of the multi-media publishing house Corbel Stone Press, with the Canadian poet Autumn Richardson. Together they curate the biannual journal of eco-poetics and esoteric literature, Reliquiae. He is also founding member of the Notional Research Group for Cultural Artefacts and director of the Centre for Alterity Studies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Richard Skelton is a British artist. His work focuses on landscape and other-than-human studies. Between 2005 and 2011 he ran Sustain-Release, a private press music label dedicated to publishing his own landscape-oriented recordings. Since 2009 he has been co-director of the multi-media publishing house Corbel Stone Press, with the Canadian poet Autumn Richardson. Together they [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,311],"tags":[],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/20163"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=20163"}],"version-history":[{"count":2,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/20163\/revisions"}],"predecessor-version":[{"id":20167,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/20163\/revisions\/20167"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=20163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=20163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=20163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}