{"id":4139,"date":"2013-10-11T17:04:18","date_gmt":"2013-10-11T17:04:18","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=4139"},"modified":"2025-12-04T10:39:39","modified_gmt":"2025-12-04T10:39:39","slug":"forms-of-protest","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2013\/10\/forms-of-protest\/","title":{"rendered":"Forms of Protest"},"content":{"rendered":"<p>These poems and experimental texts oscillate between sense and nonsense, meaning and music, always testing the limits of language to represent the lived world. Words are felt both as arbitrary signs and as urgent physiological acts. Ranging in form from sound poems to collaged spam email, from monologues to lists of insults, and embracing subjects as diverse as war, sexuality and giant squid, Silva\u2019s poetry is like nothing else you\u2019ve read. Deconstructing the defunct languages of political and literary discourse, <em>Forms of Protest<\/em> claims a new space, a liminal zone between things as they sound \u2013 and things as they are.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Forms of Protest collects together for the first time the work of Hannah Silva, a poet and playwright known for her fearless and wholly original vocal performances.<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[173,4,151,29],"tags":[149,119,97,125,93],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/4139"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=4139"}],"version-history":[{"count":56,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/4139\/revisions"}],"predecessor-version":[{"id":16647,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/4139\/revisions\/16647"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=4139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=4139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=4139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}