{"id":5351,"date":"2014-02-04T11:32:45","date_gmt":"2014-02-04T11:32:45","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=5351"},"modified":"2018-01-25T00:17:29","modified_gmt":"2018-01-25T00:17:29","slug":"the-shipwrecked-house-2","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2014\/02\/the-shipwrecked-house-2\/","title":{"rendered":"The Shipwrecked House"},"content":{"rendered":"

Outside, a storm is raging. Inside, a darkened room preserves the fragments of a past underneath dust sheets. Sea-shells, voices, yellowing postcards: the flotsam and jetsam of a childhood spent beach-combing on the coast of Brittany. Stories emerge: of treasure found in tidal ponds, and women metamorphosing into serpents. But beneath the floorboards, the creaking groans of whales warn of unsettled futures.<\/p>\n

 <\/p>\n

In a sparkling one-woman performance that blends poetry with theatre, Anglo-Breton poet Claire Tr\u00e9vien navigates a shifting maritime landscape. Memory and myth from the Celtic fringe are transformed by her surreal, playful poetry – critically acclaimed, and longlisted for the 2013 Guardian First Book Award. In her stage debut, Trevien evokes the sounds, sights and rich scents of the sea. But beneath the surface, a violent undercurrent stirs. What will she discover in the sodden debris? Will the storm break in?<\/p>\n

 <\/p>\n

Creative team<\/em><\/p>\n

Writer\/performer: Claire Tr\u00e9vien<\/p>\n

Producer\/director: Tom Chivers<\/p>\n

Consultant director: Russell Bender<\/p>\n

Music\/sound design: Oliver Barrett<\/p>\n

Set design: Gary Campbell<\/p>\n

Lighting design: Claire Childs<\/p>\n

Production assistant: Nick Murray<\/p>\n

Perfumer: Sarah McCartney, 4160 Tuesdays<\/p>\n

Photography: Field & McGlynn<\/p>\n

 <\/p>\n

<\/h3>\n

Co-commissioned by Penned in the Margins and Ledbury Poetry Festival. Supported using public funding by Arts Council England. Development supported by Canada Water Culture Space and Rich Mix.<\/p>\n","protected":false},"excerpt":{"rendered":"

A sparkling one-woman performance that blends poetry with theatre<\/p>\n

2014-2015<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[165],"tags":[269],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/5351"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=5351"}],"version-history":[{"count":60,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/5351\/revisions"}],"predecessor-version":[{"id":16925,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/5351\/revisions\/16925"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=5351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=5351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=5351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}