{"id":5543,"date":"2013-12-25T11:00:37","date_gmt":"2013-12-25T11:00:37","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=5543"},"modified":"2014-03-24T00:44:00","modified_gmt":"2014-03-24T00:44:00","slug":"scratch-reading-the-shipwrecked-house","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2013\/12\/scratch-reading-the-shipwrecked-house\/","title":{"rendered":"Scratch reading: The Shipwrecked House"},"content":{"rendered":"<p><img loading=\"lazy\" src=\"http:\/\/www.pennedinthemargins.co.uk\/wp-content\/themes\/classic\/trev_tour.jpg\" alt=\"\" width=\"600\" height=\"410\" \/><\/p>\n<p>Join poet Claire Tr\u00e9vien for a scratch reading of poems from The Shipwrecked House in the beautiful surroundings of a nineteenth century Bermondsey warehouse. This is an early chance to hear how Claire is developing her poems for the stage,   and we encourage feedback! Her reading is part of <a href=\"http:\/\/www.4749tannerstreet.com\/upcoming-events\/\">Conspire<\/a>, a new bimonthly\u00a0event\u00a0that brings\u00a0together\u00a0arts,\u00a0politics\u00a0and\u00a0science.<\/p>\n<p>Drawing on Tr\u00e9vien\u2019s theatrical background, The Shipwrecked House transforms for the stage the surreal vision of her <a href=\"http:\/\/www.pennedinthemargins.co.uk\/index.php\/2013\/02\/the-shipwrecked-house\/\">Guardian First Book Award-nominated poetry collection<\/a>.<\/p>\n<p><iframe style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m14!1m8!1m3!1d2483.7217733649222!2d-0.07771035!3d51.499973!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x487603446c57eed9%3A0x3f209f5e4bc9c0b9!2sLondon+SE1+3PL!5e0!3m2!1sen!2suk!4v1393931138869\" frameborder=\"0\" width=\"600\" height=\"450\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Join poet Claire Tr\u00e9vien for a scratch reading of poems from The Shipwrecked House in the beautiful surroundings of a nineteenth century Bermondsey warehouse. This is an early chance to hear how Claire is developing her poems for the stage, and we encourage feedback! Her reading is part of Conspire, a new bimonthly\u00a0event\u00a0that brings\u00a0together\u00a0arts,\u00a0politics\u00a0and\u00a0science. Drawing [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/5543"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=5543"}],"version-history":[{"count":5,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/5543\/revisions"}],"predecessor-version":[{"id":5565,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/5543\/revisions\/5565"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=5543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=5543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=5543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}