{"id":964,"date":"2010-10-03T12:25:12","date_gmt":"2010-10-03T12:25:12","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=964"},"modified":"2025-12-04T10:42:01","modified_gmt":"2025-12-04T10:42:01","slug":"kalagora","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2010\/10\/kalagora\/","title":{"rendered":"Kalagora"},"content":{"rendered":"<p>Bose has created a volatile, dynamic poetics in which love and longing compete with the hybrid, multicultural cityscape. A five-part structure reflects this multiplicity: &#8216;Prolectric&#8217; and \u2018Epilepsis\u2019 book-end sequences on&nbsp;childhood and initiation&nbsp;(\u2018Sunya\u2019), love (\u2018Maya\u2019) and the city (\u2018Nagri\u2019). <em>Kalagora<\/em> is a Hindi neologism meaning black man \/ white man; this book tells his story.<\/p>\n<p>&nbsp;<\/p>\n<div style=\"position: relative; width: 100%; height: 0; padding-bottom: 56.25%;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/15646511?title=0&amp;byline=0&amp;portrait=0\" width=\"320\" height=\"240\" frameborder=\"0\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Bose has created a volatile, dynamic poetics in which love and longing compete with the hybrid, multicultural cityscape. A five-part structure reflects this multiplicity: &#8216;Prolectric&#8217; and \u2018Epilepsis\u2019 book-end sequences on&nbsp;childhood and initiation&nbsp;(\u2018Sunya\u2019), love (\u2018Maya\u2019) and the city (\u2018Nagri\u2019). Kalagora is a Hindi neologism meaning black man \/ white man; this book tells his story. &nbsp; [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,29,79],"tags":[121,196,97,115,113,103],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/964"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=964"}],"version-history":[{"count":63,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/964\/revisions"}],"predecessor-version":[{"id":19771,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/964\/revisions\/19771"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}