{"id":971,"date":"2010-09-09T12:56:20","date_gmt":"2010-09-09T12:56:20","guid":{"rendered":"http:\/\/www.pennedinthemargins.co.uk\/?p=971"},"modified":"2025-12-04T10:47:23","modified_gmt":"2025-12-04T10:47:23","slug":"stress-fractures-essays-on-poetry","status":"publish","type":"post","link":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/2010\/09\/stress-fractures-essays-on-poetry\/","title":{"rendered":"Stress Fractures: Essays on Poetry"},"content":{"rendered":"<p>Would Emily Dickinson have preferred Facebook or Twitter? Does the future look&#8230; Oulipian? Is slam poetry any good, and what is \u201cpost-avant\u201d anyway? These are just some of the questions posed in <em>Stress Fractures<\/em>, a new and wide-ranging collection of essays on the future of poetry.<\/p>\n<h2><strong>&nbsp;<\/strong><\/h2>\n<p><em>Contents<\/em><\/p>\n<p>Introduction <em>Tom Chivers<\/em><br \/>\nThe Architecture of Fictional Rooms <em>Luke Kennard<\/em><br \/>\nPost-Avant: A Meta-Narrative <em>Adam Fieled<\/em><br \/>\nEmily Dickinson, Vampipire Slayer <em>Sophie Mayer<\/em><br \/>\nHejiniaian\u2019s Faustienne Beings-with <em>Emily Critchley<\/em><br \/>\nThese Terabytes I Have Tried to Shore Agaiainst Our Ruins <em>Theodoros Chiotis<\/em><br \/>\nEvery Rendition on a Broken Machine <em>Ross Sutherland<\/em><br \/>\nHidden Form: The Prose Poem in English Poetry <em>David Caddy<\/em><br \/>\nArranging Excursions to Disparate Worlds <em>Simon Turner<\/em><br \/>\nSlam: A Poetic Dialogue <em>Tim Clare<\/em><br \/>\nRoots Manuva\u2019s Romantic Soul <em>David Barnes<\/em><br \/>\nComposing Speech <em>Hannah Silva<\/em><br \/>\nRadio And&#8230; <em>James Wilkes<\/em><br \/>\nEnjoying and Examining Poetry <em>Alex Runchman<\/em><br \/>\nThe Line <em>Katy Evans-Bush<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Where can the poem go in the age of the supercomputer? Why is poetry taught so badly at school? What do Wordsworth, Byron and Roots Manuva have in common?<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,33,26,13],"tags":[],"_links":{"self":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/971"}],"collection":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=971"}],"version-history":[{"count":77,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/971\/revisions"}],"predecessor-version":[{"id":19767,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/971\/revisions\/19767"}],"wp:attachment":[{"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pennedinthemargins.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}