Consider the Gherkin: a suppository for the arse they made of things. Somewhere between a warehouse & a backstreet, between the Thames and the City… did you see the squatters on the way in? Bodyartists of necessity who don’t dig deep for their beer. Start, she said, by talking to yourself : then people will pay to be around you. So I built on that to become a Landlord.
Selected as one of ‘The most beautiful books in the land’ by Time Out
Shad Thames, Broken Wharf is a play of voices that spans centuries of changes across the Docklands, allowing past ghosts to be heard above the white noise of the polemical present.
Set in a pub that has stood on the site since the sixteenth century, we eavesdrop on a conversation between three characters – Echo, a middle-aged woman who has lived her life in the area; Blaise, a northerner who finds resonances with the more familiar docks at Liverpool; and the gregarious landlord, a Londoner with ‘the knowledge’. Breaking into the dialogue, The Restructure is a sinister, all-knowing Public Service Announcement with ‘advice’ to share with anyone who’ll listen…
Commissioned by London Word Festival and first performed March 2010.
Shad Thames, Broken Wharf is published as a boxed, limited edition mini-book. Each copy is signed, numbered and hand-printed, and contains a unique object (or objects) mudlarked from the shore of the Thames.
‘an elegy, an urban bucolic around the river and its Eastern banks’
Giulia Merlo, Culture Wars
‘A dense and beautiful stylist, McCabe prizes pattern-making above narrative drive … Shad Thames, Broken Wharf is a multiple narrative of various timescapes, set in a constantly evolving Docklands.’
Julia Bird, Londonist
‘Amidst the piss, the alcohol, the river, flows the drunken drivel of two characters reflecting on transient moments in their lives, the history of this corner of the world [...] this is an impressionist, fragmentary take on the dregs left behind by civilization, past and present, in all its mess and glory. Rather ambitious for a slim play. McCabe pulls it off though. Loved this.’
Afric McGlinchey, Sabotage
Film by Jack Wake-Walker. Music by Bleeding Heart Narrative.